Exhibitions
Solo Shows:
Of Mettlesome Order, RSA Gallery, Minneapolis, MN October 2, 2025 - April 24, 2026
Carrie Haddad Gallery, Hudson, NY April 1 - 30, 2000
Lorraine Kessler Gallery, Poughkeepsie, NY January 30 - March 14, 1998
Group Shows:
AbEx Voices: Women of Abstract Expressionism, J. Kenneth Fine Art, Shelburne, VT May 1 - July 1, 2026
Slipping Over the Dark Hills, Barrett Art Center, Poughkeepsie, NY July 3-24, 2021
Activity Apparatus, Soccer Club Club, Chicago, IL March 30 - April 30, 2019
Under the Influence (of the New York School), Carrie Haddad Gallery, Hudson, NY April 19 - June 1, 2014
Gallery de la Pontiac, San Francisco, CA January 24 - February 28, 2003
Carrie Haddad Gallery, Hudson, NY July 24 - August 17, 1997
Starving Artists, Villa Taqueria / Cafe Picaro, San Francisco, CA December 2, 1990 - January 9, 1991
Note: This list is incomplete. Contemporaneous letters of hers indicate the inclusion of one painting in a group show at an unidentified New York gallery, mid-April 1957, and possibly participating in another group show at “a tiny downtown gallery” in March of 1962, but further details have yet to come to light. Another letter mentions a group show, most likely in San Francisco around May of 1982, organized under the aegis of Anti-Third World War. There were almost certainly more group shows in the Bay Area during the 1980s & 1990s as well. Anyone with additional information is invited to get in contact.
Publications
“Consensus Collapse,” painting from 1982. Maintenant #20, 2026. p. 112.
Untitled painting from 2015, on cover of Plan B - From Outer Space LP, Roaratorio, 2018.
“Of the Moment, Man,” painting from 2002, on cover of Joe McPhee - Solos: The Lost Tapes LP, Roaratorio, 2015.
“Woman: Resting at Market,” painting from 1980, on cover of Steve Lacy & Joe McPhee - The Rest LP, Roaratorio, 2013.
“Omens, Perhaps?,” painting from 1996, on cover of Joe McPhee & Chris Corsano - Scraps and Shadows LP, Roaratorio, 2012.
“Infinity for Solitudes,” painting from 2010, on cover of Joe McPhee & Chris Corsano - Under a Double Moon LP, Roaratorio, 2011.
Untitled painting from 2010, on cover of Pauline Oliveros - To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation LP, Roaratorio, 2011.
Untitled drawing from 1957, on cover of Joe McPhee - Alto LP, Roaratorio, 2009. There was also a hand-painted, lettered edition of 26, signed by the artists.
Untitled drawing from 1956, on cover of Joe McPhee - Soprano LP, Roaratorio, 2007. There was also a hand-painted, lettered edition of 26, signed by the artists.
Untitled drawing from 1956, on cover of Joe McPhee - Everything Happens for a Reason LP, Roaratorio, 2005. There was also a hand-painted, lettered edition of 26, signed by the artists.
“The Stride,” drawing from 1957, on cover of Jeff Fuccillo - Disturbed Strings LP, Roaratorio, 2004.
“In the Fragrance to Lose No Moss,” painting from 2001, on cover of Steve Lacy - The Beat Suite CD, Universal Music Jazz France, 2003.
“The Significant Birthday,” painting from 1997, on cover of Carei Thomas Feel Free Ensemble - Mining Our Bid’ness CD, Roaratorio, 2002.
Untitled paintings from 2000-2001 on the covers of Steve Lacy - Sideways LP, Roaratorio, 2000. Hand-painted edition of 399.
Two untitled drawings from 1957. Cake Vol. II, #1, 1988. p. 92-93.
Eight untitled drawings from 1957. Fred Pietarinen, with wine & songs & strange people rushing through me: selected poems 1970-1980, Androgyne Books, 1983.
“Pablo Neruda,” drawing from 1982. Compages #6, fall 1982. p. 33.
[drawing contributed - details unknown.] City Arts, August 1982.
“The Cog,” drawing from 1957. Compages #5, summer 1982. p. 51.
“Homage to Thelonious Monk,” painting from 1982. Compages #4, May Day 1982. p. 17.
Letter to editor, Everywoman, May 1972. p. 32.
Letter to editor, Ain’t I A Woman? A Midwest Newspaper of Women’s Liberation, Vol 1, #8, October 30, 1970. p. 4.
Press / Bibliography
James D. Balestrieri, “Ocular and Oracular: The Apollonian and the Dionysian in American Modernism,” American Fine Art Magazine #87, May/June 2026. p. 48-61. Discussion of the Modernist perspective in art collecting, with one of Lindbloom’s 1950s works on paper pictured.
Sarah Gianelli, “Being Heard,” American Fine Art Magazine #87, May/June 2026, p. 70-71. Preview of group exhibition at J. Kenneth Fine Art.
Chelsea Koressel, “Reclaiming History,” American Fine Art Magazine #84, Nov/Dec 2025. p. 36-43. Article on collecting historic women artists, with two of Lindbloom’s 1950s works on paper pictured.
Alyn Shipton, The Art of Jazz, Imagine! Books, 2020. p. 190. Cover of Steve Lacy & Joe McPhee - The Rest pictured in section discussing Lindbloom’s work.
Helena Reckitt, ed., The Art of Feminism: Images that Shaped the Fight for Equality, 1857-2017, Chronicle Books, p. 165. Cover of Pauline Oliveros - To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation pictured in section about Oliveros’ composition.
Sandy Noyes, “A Brush with the Abstract,” Taconic Weekend, April 13, 2000. p. 5. Review of exhibition at Carrie Haddad Gallery.
Joan D’Arcy, “Gallery to Exhibit Works by Solitary, Unheralded Artist,” Daily Freeman, January 30, 1998. p. 9. Preview of exhibition at Lorraine Kessler Gallery, with interview quotes.
Marcy Adelman, “Quieting Our Fears: Lesbians and Aging,” Out/Look, fall 1988. p. 80. Photo of Lindbloom and interview quote.